Editing Liquid Frequency

The projects and contributions area at dekalborama.com

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.

Latest revision Your text
Line 17: Line 17:
Afterwards, as everyone sipped a gin and tonic, thinking about what had emerged from the musical chemistry, they invited me back. I played with them many times after. Liquid Frequency did a number of concerts around campus, sometimes enlisting the help of a dozen dancers from the Dance Department or borrowing everything that was available in the media pool, things like laser lights, echoplexes, whatever we could get our hands on.  
Afterwards, as everyone sipped a gin and tonic, thinking about what had emerged from the musical chemistry, they invited me back. I played with them many times after. Liquid Frequency did a number of concerts around campus, sometimes enlisting the help of a dozen dancers from the Dance Department or borrowing everything that was available in the media pool, things like laser lights, echoplexes, whatever we could get our hands on.  


I decided to take some recording courses the following year, and began asking about the synth rooms in the Music Building, which Rator told me about. I was determined to start writing music and doing more interesting things with my violin. The trail of breadcrumbs led me to the door of [http://dekalborama.com/wiki/Joe_Pinzarrone Joseph Pinzarrone]. One day I worked up the nerve to knock on his door. He opened the door a little, peered out, and saw me standing there. I asked if I could talk to him about the synthesizer rooms, and he opened the door further, letting me in.
I decided to take some recording courses the following year, and began asking about the synt rooms in the Music Building, which Rator told me about. I was determined to start writing music and doing more interesting things with my violin. The trail of breadcrumbs led me to the door of Joseph Pinzarrone. One day I worked up the nerve to knock on his door. He opened the door a little, peered out, and saw me standing there. I asked if I could talk to him about the synthesizer rooms, and he opened the door further, letting me in.


Knocking at the door of "The Pinz," as Rator called him, changed the course of my life — as did knocking at Rator's door that first year in music school.
Knocking at the door of "The Pinz," as Rator called him, changed the course of my life — as did knocking at Rator's door that first year in music school.

Please note that all contributions to dekalbowiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see dekalbowiki:Copyrights for details). Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel Editing help (opens in new window)