Collection of David and Rebecca Ayer

The projects and contributions area at dekalborama.com

Dave and Becky's stuff

What can I say? I'm a pack rat. These remnants are mostly from boxes and filing cabinets packed and stored serially in the garages of a string of homes and storage units for the last twenty-something years. Many are in better condition than I would have predicted, considering the means of production and non-archival nature of the materials used. At least most were easy to scan, not as much work to convert or as big as audio files....

Please do take advantage of the wiki nature of this site and feel free to edit this page. Correct errors grammatical, factual, or of omission; in many cases I have had to rely on memory to infer dates, so help there is especially appreciated. Also add sections of your own, or links to images of your better or variant copies and other related materials if you have them.

— Dave

Works on paper


Template:Ayer Collection 0000


Program, Ensemble Performance Series, November 1983
Program, Ensemble Performance Series
Plain paper copy
November 1983
Northern Illinois University, College of Visual and Performing Arts
Commentary pending.

Need permission to publish!
Photo, Cathy Church Senior Recital
Newsprint
February 1984
© 1984 The Daily Chronicle
Need permission to publish this photo!
I was photographed performing in the scored demolition of an old player piano during this guest appearance of the ensemble at Cathy Church's Senior Recital. Speculation followed about the impact of this photo on the NIU School of Visual and Performing Arts' reputation and fundraising programs after Daily Chronicle readers assumed we had destroyed school property. In fact, the piano was liberated from an Illinois barn and had to be cleansed of layers of straw and bird droppings before its final appearance.

Selling Out, April 1984
Poster, Selling Out
Plain paper copy
D A Ayer
April 1984
© 1984 the artist
Sung to the tune of Puttin' On the Ritz, Robert(O) Mendel's lyrics ushered in the ensemble's answer to an Orwellian year in which we anticipated reelection and more misery for the state of education in America: clearly we were not going to make a living in the "fine" arts, so why not go commercial at the outset?
Despite a DeKalb tradition of sacrificing cash for culture—a contemporary student show included artworks made from corners ripped from real US currency—and thanks to the miracle of self-service plain-paper copying, no actual dollar bills were harmed!

Audio cassette label, April 1984
Audio cassette label, DOGSWILL RAVE
Plain paper copy on hand-cut card stock
D A Ayer
April 1984
© 1984 the artist
Commentary pending.