Difference between revisions of "Ayer Collection 0013"
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:One of the clear aesthetic markers of the ArtBus was its lack of any unifying aesthetic. This was not some neighbor-state, DOW Chemical sponsored, traveling tax write-off but maybe some sort of grassroots transportation agency. The more random the posters appeared, the larger the force that spawned them appeared to be.... | :One of the clear aesthetic markers of the ArtBus was its lack of any unifying aesthetic. This was not some neighbor-state, DOW Chemical sponsored, traveling tax write-off but maybe some sort of grassroots transportation agency. The more random the posters appeared, the larger the force that spawned them appeared to be.... | ||
:There's no clear attribution on this one, so if the real artist would please stand up and edit this article it would be a great boon. (We think we know but we've been wrong before.) | |||
[[Category:Artifacts]] | [[Category:Artifacts]] |
Revision as of 03:35, 21 January 2012
- Poster, The Bus
- Neoteric Ensemble et al
- Plain paper copy
- 8 1/2 x 11 inches
- November 1985
- Northern Illinois University, College of Visual and Performing Arts
- Collection of David and Rebecca Ayer
- One of the clear aesthetic markers of the ArtBus was its lack of any unifying aesthetic. This was not some neighbor-state, DOW Chemical sponsored, traveling tax write-off but maybe some sort of grassroots transportation agency. The more random the posters appeared, the larger the force that spawned them appeared to be....
- There's no clear attribution on this one, so if the real artist would please stand up and edit this article it would be a great boon. (We think we know but we've been wrong before.)